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✨⭐️⭐️⚡️🌟🙏🏽

I never liked how Andrew Lloyd Webber turned the perfectly good and true story of Joan of Arc and the archangel Michael into the fictionalized story of Christine Daae and Phantom of the Opera. Webber actually made the Phantom a composite character: Archangel Michael, King Charles VII of France, and Bishop Pierre Cauchon. It is interesting how they used the same actor, Paul Brooke, to play both the auctioneer in Phantom of the Opera (2004), and Joan of Arc's confessional priest in The Messenger: The Story of Joan of Arc (1999).

One of my favorite pieces.

Great video Joe! Trumpets are on rotary, I'm wondering did the trombones also play on the german instruments for this performance?? Sounds incredible!!

Thank you and instructional.

Living the life right there. Three hands would be great! 😎

Great playing, loving the new glow

Nice video editting skills

有難うございます。私の大好きな曲でございます。Liu氏のピアノの音色の深さに、いつも心にやすらぎをいただいております。

More Gustavo!

The beginning of the solo of the first movement is just like Joseph Bologne's concerto in a major op 5/2 no 2

24:19: taking a swig from a Poland Spring bottle. Classy.

Was Hunding out hunting in a toxedo??

Also, I only watched part of this, but it seems like Jap vZ is a conductor who actual moves his baton on the beat and doesn't just wave his arms about. As a former orchestral member (ok, in high school, but still.. I went to a lot of professional concerts), I appreciated that. I've never understood how orch members can follow a conductors who makes dramatic gestures but want the player to play AFTER the end of his movement. Seems very capricious.

Surely, the opening of Act 1 is the musical equivalent of Abraham Flexner's comment: "'For God, for Country, and for Yale is surely the greatest anticlimax in the English language. In this case, you have several minutes of some of the most exciting music ever written... and then it fades anticlimactically and the tenor sings, "Gosh, I"m tired. I guess I'll catch a little shuteye here." What??!! Why wasn't there some kind of battle or other conflict when Siegfried appears---something to fit the music which could continue exciting for a while and then, once the battle is over, could wind down, perhaps to something less mundane than "I need a nap." I think Wagner missed an opportunity here. Plus, what's a hausfrau like Sieglinde doing wearing a dress like that for domestic duties? Maybe she puts on her nice clothes when Hunding is out of the house just to feel special once in a while. But now I think of it, maybe she dresses for housework like that all the time in order to honor that sword stuck in a tree in the middle of her living room. (Thanks, Anna Russell!) And... bummer that van Sweden left Dallas Symphony for NYC.

Very Coplandy sounding

Mr. Brey, great story! It would be helpful to me, and likely many of us, if you would share how you "carefully" prepared for the audition. Even a quick video would be great. Thank you for sharing with us.

Well, if you are seeking for great pieces for you trombone players, on the following links you can hear some great one I wrote: ruclips.net/video/5S971A2ylOk/видео.html ruclips.net/video/nVGI7vMgNQ8/видео.html. Cheers!

is that the 1937 Heckel? you are an inspiration Judith, congrats on a wonderful and deserved career

I am proud to say I saw this concert live and got to meet one of the violinists

So many pianists sound like they’re “fighting” the piano. You bet, especially the last movement, those runs in major thirds in ONE hand, four octaves up the keyboard and impossible speeds.

I LOVE the National anthem of our country with the musical accompaniment along with the choir!

Is this the Robert Shaw rendition?

Sherry, very helpful for students.

1:07 interesting grace note

The lack of talent is embarrassing. Come back, Beethoven, show these puckers how it's done.

Thank you Maestro ‼️

The finest of Martinu’s piano concertos. Wonderful use of the harp.

Stevie T Inspired Me To Look Up Jeffrey Kahene

Ms. Bond. I would've loved to have performed you.

Magnificent!

least well spoken bach enjoyer

아ㅡ이 피아노 소리 !!! 온 몸과 마음에사 터져 나오는 윤찬님의 연주 !!! 명 연주, 최고 ! 최고 !💜🎹🎶

Miss him. 😢

Wow. Just wow.😛😛😛😛

Алесси-красавчик🎉

One of my all-time favorite pianists.

Argh, why did they stop right before the "stumm werden wir uns in die Augen schauen" bit? That's one of pivotal moments. Still, DiDonato is great as always.

🎉🎉🎉🎉🎉🎉🎉

The best all-trumpet performance of this arrangement I've heard out of three or four. Of course it's to be expected when the soloist doubling as a quartet also is principal trumpeter for the NY Phil. One might well call this performance truly historic!

OMG his embouchure is just flawless😍😍😍

What's his mallets bag brand please ?

Such a wonderful and talented pianist. Has Yuja composed yet?

I attended the Cleveland Orchestra's third and final performance of Julius Eastman's single-movement Symphony No. II (on April 29, 2023), just because this seemed unmissable. The work, which is lugubrious and morose throughout, was performed with great solemnity (combined with coolly reserved emotional intensity in some spots), which was marred by a bit of audience coughing--in the quietest and most delicate parts, of course. The performance received decent applause, with two audience members in the orchestra section giving a standing ovation. Despite the rather unusual instrumentation of 3 flutes, 2 oboes, 2 English horns, 3 bass clarinets, 3 contrabass clarinets, 3 bassoons, 3 contrabassoons, 2 trombones, bass trombone, 3 tubas, 6 timpanists playing 24 timpani (reduced to 4 timpanists playing 16 timpani for this performance), and strings, the sounds of the individual instruments don't often emerge from a generally muddy, drone-like texture that occasionally reminded me of Morton Feldman, though nowhere as compelling. I couldn't really hear the timpani or contrabassoons much, though the oboes, English horns, bass clarinets, and contrabass clarinets emerged from the miasma at times, with the latter sometimes asked to play high in their range, producing an unearthly clarinet choir-like effect. Unlike in many of Eastman's other works, there wasn't any improvisation. It's a very sad piece for sure, and not a masterpiece by any stretch, but I'm definitely glad that the orchestra decided to do it, and that I was able to attend. The extra contrabass clarinet and contrabassoon players in the Eastman work were not credited in the program, so I'm very curious who they got to play those parts, and how they were able to procure all these extra instruments. Maybe the Cleveland Institute of Music, where many of the orchestra's members teach, was involved somehow. Wynton Marsalis's new trumpet concerto, which is apparently the longest trumpet concerto ever, at 35 minutes in length, was an ingeniously composed and distinguished work, drawing on numerous sources of inspiration--both human and non-human. Following the performance, the audience gave soloist Michael Sachs (who has been the Cleveland Orchestra's principal trumpet player since 1988) a standing ovation and four curtain calls. Wynton Marsalis himself attended the first performance (on April 27, 2023), and actually surprised the audience by coming on stage and speaking about his piece during the pre-concert lecture that night. The pre-concert talk by University of Akron composition professor Jamie Wilding, which featured him demonstrating numerous themes from the Eastman symphony on the piano from memory, was outstanding, and, according to some regular Cleveland Orchestra attendees, the best pre-concert lecture they'd ever seen. It's still unclear exactly why or how the Cleveland Orchestra, whose programming has historically been quite conservative, came to program this unconventional work by one of America's most radical composers. Maybe we'll never know. But they included several more pieces by African American composers on their May 4, 6, 18, and 19, 2023 concerts.

One day I'll be the best cello player with these tips!>:3🤍

Brand new Piano Concerto No 2! With various styles such as Romantic, musical theatre, early Modern, Baroque pastiche, fugue, and even a rhumba! Hope to lift your Spring spirits. ruclips.net/video/0wUWfXRbVV8/видео.html Thanks!

Brand new Piano Concerto No 2! With various styles such as Romantic, musical theatre, early Modern, Baroque pastiche, fugue, and even a rhumba! Hope to lift your Spring spirits. ruclips.net/video/0wUWfXRbVV8/видео.html Thanks!

Brand new Piano Concerto No 2! With various styles such as Romantic, musical theatre, early Modern, Baroque pastiche, fugue, and even a rhumba! Hope to lift your Spring spirits. ruclips.net/video/0wUWfXRbVV8/видео.html Thanks!

Brand new Piano Concerto No 2! With various styles such as Romantic, musical theatre, early Modern, Baroque pastiche, fugue, and even a rhumba! Hope to lift your Spring spirits. ruclips.net/video/0wUWfXRbVV8/видео.html Thanks!

❤❤❤응원드립니다 오래도록 건강하고행복하게 큰 꿈이루세요❤